The Full Moon in total eclipse in the deep evening twilight over Writing-on-Stone Provincial Park, in southern Alberta, on September 27, 2015. This is a single exposure taken as part of a 730-frame time-lapse sequence. Exposure was 5 seconds at f/2.8 with the 35mm lens and Canon 6D at ISO 800.
The Full Moon rises in partial eclipse over the sandstone formations of Writing-on-Stone Provincial Park in southern Alberta, on the evening of September 27, 2015. This was the night of a total lunar eclipse, which was in progress in its initial partial phase as the Moon rose this night. The blue band on the horizon containing the Moon is the shadow of Earth on our atmosphere, while the dark bite taken out of the lunar disk is the shadow of Earth on the Moon. The pink band above is the Belt of Venus. This is a two-image panorama stitched to extend the scene vertically to take in more sky and ground than one frame could accommodate. Both shot with the 200mm lens and 1.4x extender, on the Canon 5DMkII.
Venus shines brightly, and nearly at its brightest at magnitude -4.7, in the dawn sky on a very frosty morning at 5 am, on September 17, 2015, from home in southern Alberta. Venus appears amid the faint glow of the Zodiacal Light, sometimes called the “False Dawn,” stretching vertically from the dawn horizon in the east, up and to the right, and reaching the Milky Way that runs down the frame from top centre to bottom right. Orion and the winter stars shine in the Milky Way, with Sirius above the trees at lower right. The Beehive Cluster, M44, appears as the small group of stars above Venus. The Pleiades, M45, is at top right. Mars is the brightest object left of Venus, with the bright star Regulus just below it and rising in the east. The stars of the Big Dipper are at far left at the edge of the frame. The sky is beginning to brighten with the real glow of morning. This is a stack of 4 x 2-minute exposures, tracked and mean combine stacked, for the sky and 2 x 2-minute exposures, untracked and stacked, for the ground to minimize blurring in the starlit ground. The Canon 6D was on the iOptron Sky-Tracker, shooting at ISO 1250 with the 15mm full-frame fish-eye lens at f/3.5. The stacking with a mean combine stack mode smooths noise in both sky and ground.
