Comet NEOWISE (C/2020 F3) on July 27, 2020, at right, over the Columbia Icefields with the Moon still lighting the peaks in a warm “bronze hour” light for a lunar alpenglow. The Moon is behind Snowdome Peak at centre and is also still lighting the sky a deep blue. The Milky Way is at left over Mount Andromeda. Arcturus is the bright star at top centre. This was more or less my parting shot of the comet, as it was fading rapidly at this time receding from Earth, though it was still naked eye. Plus the waxing Moon was going to be lighting the sky much more in the following week. So this was the night! Shooting a week earlier when the comet was brighter and larger would have been nice, but clouds would have got in the way. This was shot during a run of unusually clear nights at the Icefields, the first good clear nights according to the locals. I shot this during the brief “bronze hour” interval immediately after the Moon had disappeared behind Snowdome but was still lighting the peaks. So to be clear — the peaks are lit by the setting Moon, not by the Sun. This is not a composite of day and night shots; it is a well-timed and planned panorama shot as quickly as possible over a few minutes before the lighting changed. Lingering twilight lights the horizon down the Sunwapta Valley at right. The famous Athabasca Glacier is just left of centre; Snowdome Glacier is right of centre, with the glacial Sunwapta Lake in the foreground. Mount Athabasca is at far left with its glacier. This is a 17-segment (!) panorama with the 35mm Canon lens at f/2.5 and Canon EOS Ra camera at ISO 1600, for 20 seconds each, untracked. The overlap was more than is normally needed but the segments stitched perfectly with Adobe Camera Raw, which is not always the case with such scenes. LENR employed on all segments when shooting on this warm night. Dodging and burning applied to accentuate highlights and shadows. Topaz Sharpen AI applied. The original is over 27,000 pixels wide.
Another incredible sky this night! This is Comet NEOWISE (C/2020 F3) over the badlands formations at Dinosaur Provincial Park, Alberta on July 22-23, 2020, with the Big Dipper above. A very active thunderstorm system moving northeastward this night but well to the west of me lights the horizon. Parallel bands of red and green airglow tint the sky, as does the blue of lingering summer twilight. Even with the bright sky the comet’s blue ion tail can be traced up to and past the Bowl of the Big Dipper. This is an exposure blend, with the landscape from a stack of seven exposures from 2.5 to 3.5 minutes long at f/2.8 and ISO 1600, stacked to smooth noise, blended with a single untracked 30-second exposure for the sky at ISO 6400 at f/2, all with the Sigma 24mm lens and Canon EOS Ra camera. The ground is illuminated by starlight and sky light only; no light painting was used here. Topaz DeNoise AI applied to the sky; Sharpen AI applied to the ground. Some light sculpting applied to the ground with a Dodge and Burn layer and a luminosity mask, to make the foreground less flat in lighting.
This is Comet NEOWISE (C/2020 F3) over the badlands and formations of Dinosaur Provincial Park, Alberta, on the night of July 14-15, 2020, at about 12:30 am local time with it nearly due north and as low as it got for the night at this latitude of 51° N. A green and magenta aurora colours the northern sky also blue with perpetual summer twilight. Capella is at far right. The comet’s dim blue ion tail is visible here extending some 18° to the top of the frame; the whitish curving dust tail extends about 12° though it becomes lost in the sky still bright with twilight and the aurora this night. This is a classic comet! Very much the dimmer twin of Comet Hale-Bopp from April 1997. This is a blend of 6 exposures for the ground stacked to smooth noise, with a single exposure for the sky, with the 35mm Canon lens and Canon 6D MkII. The ground exposures are 1- and 2-minutes at ISO 1600 and f/2.8, while the single untracked sky exposure was 20 seconds at ISO 3200 and f/2.5. There was no Moon, thus the need to take very long exposures for the ground to reveal details in the landscape here illuminated by just starlight and the faint aurora that was to the north and that was barely visible to the eye. Otherwise the ground would have been a featureless silhouette. So, yes, this image shows much more than the eye could see unaided due to the long exposures, but that’s the point and attraction of astrophotography — to record celestial objects and scenes with more detail than the eye can see. Indeed, any exposure longer than a second is bound to show more than the eye can detect. However, in binoculars the ion tail was barely visible, helped by knowing it was there. But the dust tail could be see to this extent, but in binoculars! However, the comet was still a fine sight naked eye, with an obvious tail about 5° to 6° long to the eye, despite the bright midnight sky. LENR employed in camera on all shots this warm night to remove thermal speckling and colour casts the 6D MkII is prone to. Stacked and masked with Photoshop. Topaz DeNoise AI applied to the sky; Topaz Sharpen applied to the ground, plus a mild touch of ON1 Photo RAW Dynamic Contrast.
